Long Eaton Library exhibiting work

by Aminder Virdee

 

Artwork details:

“Eco-Crip”

Medium(s): Artificial Intelligence (Machine Learning), Transmedial Programming (and coding), Personal Medical Archives of the Artist’s own body (hospital-quantified x-rays, CTs, MRIs and bio-data), and Mixed Media.

Aminder Virdee, 2021.

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All documentation images edited by Aminder Virdee

All Images and Rights Reserved ©️ 2021 Aminder Virdee. The taking of any photographic images from this exhibition is prohibited unless prior written permission from the artist is obtained. This due to the extremely personal nature of the work (containing the artist’s body).

Series Title: Eco-Crip

All documentation images edited by Aminder Virdee

Artwork 1

Subheading: 

ਅਪਾਹਜ ਸਰੀਰ ਵਿਰੋਧ ਦੇਸਥਾਨ ਹਨ

Translation (Punjabi to English):

Disabled bodies are sites of resistance

Artwork 2

Subheading: 

ਅਪਾਹਜ ਸਰੀਰ ਗਤੀਸੀਲਤਾ ਨ ੂੰ ਪਾਰ ਕਰਦੇਹਨ

Translation (Punjabi to English): 

Disabled bodies transcend mobility


Artwork 3

Subheading: 

ਅਪਾਹਜ ਸਰੀਰ ਭਵਿਿੱਖ ਹਨ

Translation (Punjabi to English): 

Disabled bodies are the future


Medium(s): Artificial Intelligence (Machine Learning), Transmedial Programming (and coding), Personal Medical Archives of the Artist’s own body (hospital-quantified x-rays, CTs, MRIs and bio-data), and Mixed Media.


All Images and Rights Reserved ©️ 2021 Aminder Virdee. The taking of any photographic images from this exhibition is prohibited unless prior written permission from the artist is obtained. This due to the extremely personal nature of the work (containing the artist’s body).

About the work:

Eco-Crip (2021) exhibits as a series of subversive, botanically-designed, and bio-digital x-ray prints developed through Artificial Intelligence, transmedial programming, and the artist’s personal medical archives and lived experience. 

The prints are in synergy with two single viewing, and one double viewing, x-ray light boxes matching the 20th Century design aesthetic.

Eco-Crip eludes to caring for the future through the integration of various disciplines such as ecology; decolonisation (focusing on science, art, technology, the natural environment, and ecology); intersectionality, and social and disability justice (pertaining to lived experience of race and ethnicity, disability, gender, sexuality, class, and religion). 

The artist’s use of this integration is guided through an ancestral lens as a mixed Punjabi-Hindi child of the Indian diaspora.



Click on the link below for an audio version of “about the work”.